I work primarily in digital media—vector composition, and digital painting—to produce kaleidoscopic mosaics and repeat patterns tuned for both screen and print. My practice moves between structure and hand-led refinement, producing pieces that function as surface, object, and visual architecture.

I am fascinated by how geometry and organic forms negotiate space: symmetry that yields subtle irregularities, repeated motifs that reveal small surprises, color relationships that alter perception. My work presents that tension deliberately. Influences range from tessellated tilework and botanical morphology to early computer graphics and contemporary color theory. I want my work to exhibit rhythm and clarity while also conveying warmth and curiosity—pieces that register quickly and continue to disclose detail over time.

Process is important to me. I create frameworks, adjusting scale, shifting gradients, and rebalancing color until the composition reads as both precise and alive. Final files are prepared for high-quality production, and when I translate digital work into objects, I prioritize sustainable options: recycled papers, low-VOC inks, and collaborations with printmakers who share a commitment to responsible materials and low-waste runs.

Ultimately, my aim is to change how a room feels without demanding attention. The work reveals patterns and relationships as you move closer and step back; it presents decorative appeal while also offering a reflective surface for the viewer’s own associations. I make these pieces because pattern can order experience, color can alter mood, and carefully considered design can be both useful and quietly evocative.