I work primarily in digital media, producing  digital prints, and textile designs that merge botanical motifs with vivid, prismatic color. My practice combines hand-drawn elements with symmetry and layered gradients to create compositions that read both as ornament and as perceptual experiment.

I am drawn to color as an agent of change—how a single shift in hue or gradient can alter scale, temperature, and mood. My work presents floral forms not as literal studies but as compositional tools: repeated, rotated, and refracted until they reveal new relationships between figure and field. Influences range from traditional textile patterns and botanical illustration to optical art and contemporary psychedelia; I use these strands to explore how pattern structures attention and how color reorganizes familiar shapes.

My process moves between intentional mark-making and computational iteration. I sketch motifs by hand, digitize them, then refine rhythm and symmetry through custom scripts and layering techniques. The result is a balance of controlled geometry and luminous softness—surfaces that read as both precise and alive. When translated to objects, I favor sustainable production: limited-edition prints, collaborations with eco-conscious fabricators, and materials chosen to reduce environmental impact.

Ultimately, my work conveys a quiet recalibration of perception. It invites a pause—an encounter where pattern, color, and form quietly alter a room or a moment of attention. What I aim to do is simple and direct: present images that enliven space, provoke curiosity, and reveal the unexpected possibilities in repeated forms.