I work primarily in digital painting and pattern design, translating botanical observation into repeated, chromatic compositions that I often realize as archival prints and sustainably produced textiles.

I am drawn to the point where recognizable plant forms meet geometric order. My practice presents floral motifs as systems — petals, leaves and negative space arranged to reveal unexpected rhythms and tonal relationships. Color is not decoration for me; it is structural. By pushing hues into unlikely pairings and allowing gradients to blur hard edges, I create surfaces that are at once calm and slightly uncanny. My influences range from botanical illustration and traditional textile motifs to color-field painting, and those threads converge in work that conveys both intimacy and pattern-driven rigor.

Ultimately, I aim to present images that invite a second look — patterns that shift as you move past them, palettes that disclose new harmonies over time. My work expresses a conviction that geometry and nature can coexist in ways that feel thoughtful, a little mysterious, and quietly energizing.