I work primarily in digital pattern design and applied print media—creating geometric and floral compositions that I translate into prints, textiles, and large-format surfaces. My practice combines hand-drawn motifs, vector construction, and generative routines to produce repeating systems of color and form that can be scaled from a single pillow to an entire wall.

What drives this body of work is an interest in how rhythm and color reshape perception. I create systems that present balance and motion simultaneously: repeating forms that act like visual metronomes, and saturated palettes that awaken a room. My sources are both natural and domestic—petal structures, tile mosaics, woven crafts, childhood memories of patterned textiles—and those references inform a vocabulary that is precise, playful, and occasionally mysterious. I want my pieces to convey energy and calm at once; to redirect attention without overwhelming it.

How I make these works is both deliberate and iterative. I begin with simple designs using color and gradients as well as basic shapes, then I isolate structural motifs and construct modular templates that I refine digitally. I layer gradients, interlocking outlines, and symmetry rules to create depth and a sense of forward movement. For production I prioritize sustainable options: low-impact inks, recycled or organic substrates, and small-batch printing to minimize waste. When a design moves from screen to material, I test scale and proportion so the pattern maintains its intended rhythm across formats.

Across the body of my work, my aim is consistent: to offer objects and surfaces that alter daily experience through color, form, and pattern. You’ll find the same concern for balance and material care whether the work is made for a home, a garment, or an installation. Each piece presents a compact system for seeing differently, and I make them with attention—to the environment, to craft, and to the moments when a simple pattern can shift how we feel.